Copland didn’t write many songs, but this cycle is one of the finest written after the Second World War. Stadler appears not to have commented. This excerpt is nearly identical to the corresponding section in the published version for A clarinet. Come the first tutti, he tautens the rhythm and prominently swaggering natural horns step in, stepping in prominently at every tutti where prescribed in the two Allegros, some more driven than others, some more swaggering and fiercely stressed than others. Valedictory or visionary? Mozart composed his Clarinet Concertofor Anton Stadler, who performed the work at the premiere in Prague on 16 October 1791. What was the point? Yes they are; and from a French copy of an instrument made for Stadler, so these might be the sort of sonorities he drew too. EMI CDM 567 6012 . But he cannot sustain the concerto on his own. Still and all, Mozart lovers will find both a bargain and a gold mine upon acquiring this disc. Listen to the 15-bar coda, the soloist partnered by only strings until the end when the winds return and flutes in sixths cast an incandescent glow – an ethereal backdrop to the basset way down below. Even so, Mozart’s last piano concerto has an unmistakable mature grace and serenity. Brymer’s command is absolute, the mood calmingly resigned if rather imperturbable in his unruffled stream of notes. Was Mozart visionary in such circumstances? Why not register today and enjoy the following great benefits: Toscanini offered a post, Furtwängler thought him the only clarinettist who played from the heart. The best recordings of Mozart's Clarinet Concerto. Twelve years later Antony Pay offers a considered proposition. A true find. Valedictory or visionary? On October 11–13, 1956, he has also assisted in other works that call for solo clarinet, including the concerto by Paul Hindemith and that by Manuel de Falla. It is mandatory to procure user consent prior to running these cookies on your website. Author: Gary Date: 2000-12-12 15:59 I am curious as to your opinions regarding your choices for the best recording of Mozart's Clarinet Concerto. The notes slickly polished but bullishly propelled? Coppola doesn’t probe the spirit, coasting through the first and last movements; and though soulful in the Adagio, his pacing is inert, clogging flow. Not successfully, though. The last concerto, valedictory and visionary. Mozart: The Great Piano Concertos, Vol. The recorded sound is very good. Boyd contributes a continuously symbiotic framework for Di Càsola to build an interpretation where tone, dynamics, articulation and accents are varied to mirror a range of moods suggested by melody, phrase and harmony. He omits bar 333 in the first movement because the notes here repeat the previous bar. Also on this recording are the Bassoon Concerto, K191, and Clarinet Concerto, K622. Is there a choice? Deeply personal, it deals with love, death and self-discovery. Fabio Di Càsola; Musikkollegium Winterthur / Douglas Boyd. Necessary cookies are absolutely essential for the website to function properly. 9 in E flat Major – K. 271. Events then took a strange turn. Find recording details and track inforamtion for Clarinet Concerto in A major, K. - Wolfgang Amadeus Mozart on AllMusic Stick to the traditional clarinet but not to the traditional arrangement? Beethoven’s last piano concerto, the ‘Emperor’, can’t help but go first. These cookies do not store any personal information. With 27 to his name, it's a bit tricky to isolate one piano concerto … The last work wondrously achieved. Who for decades confronted the status quo, challenged established certainties and dared listeners to think outside the box? Its one of my "desert island" CDs that I could not live without. This recording offers something more than its lyrical performances and superb recorded sound. You’ll notice that the cover shows Shifrin with two clarinets. It’s time for a wake-up call from the newest kid on the block, Fabio Di Càsola, after Douglas Boyd conducts a pulsating orchestral exposition, rhythm effervescently alive, paragraphs shaped through hairpin-like increases and decreases in intensity, the big picture always kept firmly in mind. An interlude of bittersweet nostalgia, a look back with the odd angry flare; yet in the soul and sinew of Wolfgang Meyer and Nikolaus Harnoncourt a look forward too, vigorous, even manic in the extrovert optimism of the outer movements. You won't be disappointed with this CD, if it's still available. The work is considered Mozart’s finest wind concerto, and I’ll take it further and declare it the best wind concerto in the entire world of classical music. We also use third-party cookies that help us analyze and understand how you use this website. Antony had worked with Robert Bailey and an earlier incarnation of the Michaelangelo [sic] orchestra for a 1998 recording of the Mozart Clarinet Concerto, released as a CD on the Musical Fidelity label (MF018). But what about inner anxieties, passing twinges of dis‑ease, the dives into depression? BEETHOVEN: Why Beethoven tugs at the heart strings: The rhythms of the German composer's music may have been prompted by a ... VAUGHAN WILLIAMS: Philip Dukes / James Gilchrist / Anna Tilbrook Songs of Travel - Songs and Chamber Works, Interconnect length vs speaker cable length. Well, consider as an example bars 187 to 191 in the first movement. Get acquainted with our picks for the 20 essential Mozart recordings. In 1801 three companies, André, Sieber and Breitkopf & Härtel, published editions of the work with the solo part in an identical conversion for the regular instrument. Yet scholarship doesn’t quite translate into a performance of scholarly imagination. Selected Discography (Date / Artists / Record company (review date)), 1940 Kell; LPO / Sargent / Testament SBT1007 (8/92), 1940 B Goodman; NYPO / Barbirolli / Dutton CDSJB1026, 1949 Wlach; VPO / Karajan / EMI 566388-2 (nla), 1950 Kell; Zimbler Sinfonietta / DG 477 5280GOM6 (3/53), 1954 Říha; Czech PO / Talich / Supraphon SU3835-2 (4/59), 1958 Brymer; RPO / Beecham / EMI 567596-2 (7/60; 10/88), 1959 de Peyer; LSO / Maag / Decca 466 247-2DF2 (9/60), 1961 Marcellus; Cleveland Orch / Szell / Sony SBK62424 (6/64), 1971 Brymer; ASMF / N Marriner / Philips 416 483-2PH (10/88), 1971 Leister; BPO / Karajan / EMI 764355-2 (6/72), 1990 Schmidl; VPO / Bernstein / DG 429 221-2GH (8/90), 2004 A Marriner; ASMF / N Marriner / Pentatone PTC5186 048, 2005 Martin; SCO / Janiczek / Linn CKD273, 2009 Di Càsola; Musikcollegium Winterthur / Boyd / Sony 88697 64672-2 (12/10), 1985 King; ECO / Tate / Hyperion CDA66199 (3/86), 1985 S Meyer; Staatskapelle Dresden / Vonk / EMI 555155-2 (3/92 – nla), 1992 Ottensamer; VPO / C Davis / Philips 438 868-2PH (6/94 – nla), 2002 Fröst; Amsterdam Sinfonietta / Oundjian / BIS BIS-SACD1263 (A/03), 1973 Deinzer; Collegium Aureum / Maier / EMI 747603-2 (12/87 – nla), 1985 Pay; AAM / Hogwood / L’Oiseau-Lyre 414 339-2OH (5/86), 1989 Lawson; Hanover Band / R Goodman / Nimbus NI7023 (7/90), 1998 W Meyer; Concentus Musicus Wien / Harnoncourt / Teldec 2564 69855-6 (3/01), 2001 Hoeprich; Orch of the 18th Century / Brüggen / Glossa GCD921107 (2/03), 2007 Coppola; Freiburg Baroque Orch / Von der Goltz / Harmonia Mundi HMC90 1980 (5/08), This article originally appeared in the February 2012 issue of Gramophone. Stadler, who played the clarinet and basset horn, had been a close friend of Mozart’s since the e… It may be a particular sound. I was looking all throughout Spotify and iTunes to find the best possible recording of this serenade, but i've found a lot of different results, and i'm finding it … International licensing, Date / Artists / Record company (review date)), If you are a library, university or other organisation that would be interested in an institutional subscription to. Welcome a new clarinet, or to be precise a clarinet for which – it is now accepted – Mozart wrote the concerto. Robert Marcellus made his debut as assisting artist with the Cleveland Orchestra on March 29–31, 1956, when he played Mozart's Concerto for Clarinet and Orchestra in A major, K.622. Marvelous recording. Mozart’s Clarinet Concerto, widely regarded as the greatest clarinet concerto and his last instrumental work, was completed in October 1791, less than two months before the composer’s death at the age of just 35. Wolfgang Meyer, a Deinzer pupil with a Tutz replica as well, is in total sympathy but still the soloist, weaving his own spell everywhere, his musicianship fine-tuned to an expressive reach and a spellbinding spectrum of tonal subtleties. 99% of recordings and live performances use the cadenza/eingang you describe, which is taken note for note from the slow movement of the Mozart Clarinet Quintet. He is a musician with ideas of his own but is dampened by Leonard Bernstein, who is surprisingly flat-footed and uneventful; prosaic, too, in the slow movement. *HQ Audio*, Bo Diddley and Ron Wood - Live At The Ritz (DVD), RED HOT CHILI PEPPERS: How Deep Is Your Love (Bee Gees Cover), ROBERT MILLIS: Indian Talking Machine (Limited 2CD+Book), ERIC BURDON: The irrepressible beast – interview, HMV VINYL: Phil Collins - No Jacket Required - Limited Edition Orange Vinyl. Now, slip back two years to 1959, to Gervase de Peyer’s second recording. Yet in his letter from Vienna to Constanze in Baden, written at midnight on October 7, 1791, he says, ‘I smoked a glorious pipe of tobacco. Note the conductor here, the third illustrious name to be mentioned; and in the first 32 years of the concerto’s recorded history, three more made their bow – Herbert von Karajan, Václav Talich and George Szell. Let’s for the moment say valedictory. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. And there, in September, Stadler gave his last documented performance. Talich isn’t as lucky. Piano Concerto No. Could Mozart, who finished this concerto about eight weeks before he died, have been anything other than valedictory? He alters the solo part to mitigate the effects of some of its clumsy compromises and his solutions are about as good as they get in the circumstances. All | CDs | DVDs: Mozart: Clarinet Concerto in A Major, K.622 (3rd movement) RADFORD: Quad II vs Leak 20 vs Radford STA 25 vintage equipment, PERCY GRAINGER: The ninth best composer ever. Haydn Draper made the first recording in 1929 (Brunswick 20076‑8), followed by Luigi Amodio and François Etienne. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Bärenreiter incorporated the reconstruction into its New Mozart Edition; but clarinettists also suggest their own modifications. Nikolaus Harnoncourt, that’s who. A measure of stature is returned to the music by Ernst Ottensamer. Receive a weekly collection of news, features and reviews, James McCarthy About Mark Allen Group Fabio Di Càsola plays the standard edition, occasionally retouched, and Boyd champions him to the hilt. Let’s just savour the Adagio once more. Now, here’s a real bargain–some of the greatest recordings of much of Mozart’s best music at the Double Decca two-for-one price. BLOP888 Conductor and soloist don’t see eye to eye, Marcellus elegant of phrase and bewitchingly cultivated in sound at odds with Szell’s powerful profiling and famed rhythmic exactitude. Affekt predominates, contrasts are marked, but classical proportions aren’t breached. Mozart now talks tough, the genteel image drops away. His playing, of unimpeachable technique, fine finish and spotless manners, epitomises a deferential approach to Mozart that had, post-war, become the norm; and an anachronism afterwards. Or in his next letter to her on October 14, describing his delight at the success of Die Zauberflöte and only voicing some concern about finding a good school for their young son Carl. Significantly, Breitkopf & Härtel didn’t alter this. There aren’t ...... © 2021 Audiophile News & Music Review | All Rights Reserved. And, sadly, caution rules. Shortly after the war Kell emigrated to the US and in 1950 he recorded the work with the Zimbler Sinfonietta, an eminent American band. Mozart: Clarinet Concerto. There are many superb recordings of the concerto. Misgivings nag. Brymer’s tribute to his colleague says it all: ‘His freedom of expression, perfect intonation and control, easy rubato and use of a vocalised vibrato much in the [Leon] Goossens manner, marked him out as something new in the instrumental world.’ Vibrato in a woodwind instrument was indeed new to many in the first half of the 20th century; and these two musicians split opinion at the time. Maximiliano Martin tries to. Sound Quality: 7. The adaptation held sway. Warmly recommended. Roy Goodman thinks continuo and incorporates the wrong keyboard too – a harpsichord, a tinkling irritant that neither the music nor Colin Lawson needs. Friday, January 17, 2014. It’s a lone crusade for what ought to be an equitably shared journey, which this one is not. Then I orchestrated almost the entire Rondo of the Stadler concerto.’ No premonitions of death here. What now? Compare Kell with Draper – who curiously remade only the slow movement in 1931 (Clarinet Classics) – to hear how Kell’s tactfully applied vibrato ‘vocalises’ this Adagio in a way that Draper’s non-vibrato mode does not. Fröst ‘sings’ this Adagio, his masterly technique in command of shaded tone, long line and detail. Concentrate on the orchestra, and notice the topmost line, especially rich in the selectively deployed sound of two flutes. Alan Hacker played one such for his first London performance in 1969, as probably did Thea King for her recording. Mozart’s last concerto presents unique challenges to those recording the work, finds Nalen Anthoni. --Jed Distler Unexpectedly, Frans Brüggen is below form, not the musician who had recorded Mozart and Haydn symphonies that were products of a sharply erudite mind. The autograph subsequently vanished; and Stadler died in 1812, leaving questions unanswered. But what about inner anxieties, passing twinges of dis‑ease, the dives into depression? To wit, the regular clarinet ends its compass on E below middle C; Stadler’s uniquely dropped four semitones further to C. On October 16, 1791, he premiered the work in Prague from the autograph manuscript, then went on tour, not returning to Vienna until July 1796. The Barry Tuckwell horn concerto recordings and Gervase de Peyer clarinet concerto reading are the best in the catalog, both combining virtuoso execution with innate musical expression. Deinzer produces a slender tone, probably characteristic of both instrument and reed. Is there a choice? The ultimate accolade is earned and deserved. I really like Sabine Meyer's rendition, but I've read in another post that Robert Marcellus has an excellent one also. Behold magnificence. Beecham isn’t to blame – period practice and all it engendered was some way off – but he deserves rebuke for cutting 28 bars in the finale. There aren’t any answers, of course. Hoeprich nevertheless stays above water, thoughtful in his survey of the music, especially so in the Adagio. VINTAGE: Who made the best vintage audio? With hindsight, Kell’s 1950 remake cut a new pattern; de Peyer refined it to its zenith. And a wind of change, prescient of an emotional dimension in the music not entirely noticed before, blows in to break the outdated anodyne mould. It’s a magical close to a movement that might be Mozart’s poignant farewell to Anna Maria, his baby daughter, who had died not that long ago. Its absolutely gorgeous and pristine sound quality. A style of performance begins to emerge. Her sweet-sour tone glints and fades like light reflected off a revolving prism; and by adding varied tongue strokes to enhance passages left bare of markings, she creates in the expanded spans Mozart wrote for the basset a phrase-to-phrase tension that wouldn’t otherwise exist. Building a Library on Mozart's final purely instrumental work, his Clarinet Concerto - written for his friend Anton Stadler. Could you be unorthodox within orthodoxy? Browse: Mozart - Clarinet Concerto in A major, K622 This page lists all recordings of Clarinet Concerto in A major, K622 by Wolfgang Amadeus Mozart (1756-91). Benny Goodman also threw his hat into the ring in 1940. 1 With the talents of the Academy of St Martin in the Field … In sum, performance ought to reflect emotional content, so tempi cannot be rigid but must be tailored to evoke the many emotions embedded in music. You also have the option to opt-out of these cookies. The best recordings of Mozart’s Clarinet Concerto James McCarthy Friday, January 17, 2014 Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. FM GEAR CLASSIC JAPANESE (NOT ON EBAY @ 09/01/21) VIA THE AUDIO MISER, TCHAIKOVSKY: Symphony No 6, 'Pathétique' ... a quick guide to essential recordings, IAIN MATTHEWS: Same Old Man (Live Acoustic), FREE: Mr Big ( Live BEATCLUB Germany ) . The Flute Concerto is notable for the fact that Mozart did not like the flute as an instrument, famously stating 'whenever I have to write music for an instrument I dislike, I immediately lose interest'. He is a musician of cultivated taste but he reticently understates his role, also imitating Meyer in glossing over the raison d’être of the basset, its low notes. Buy download online. Piano Concerto No. Peter Schmidl was one who remained orthodox. How? In 1973 Hans Deinzer made the first recording on a period basset copied for him in boxwood by Rudolf Tutz of Innsbruck. We'll assume you're ok with this, but you can opt-out if you wish. Valedictory or visionary? Nor has the conductorless Collegium Aurem. HARBETH: P3ESR vs Proac Tablette Anniversary? But disparity dogs the outer movements. There you have it; superlative clarinet-playing, superlative conducting and a penetrating look beyond the notes. This category only includes cookies that ensures basic functionalities and security features of the website. And no one, in this survey of selected recordings, evokes the impression better than Jack Brymer with the Royal Philharmonic Orchestra attentively conducted by Thomas Beecham. The orchestra not resourcefully conducted? Her chillingly glib performance is as empty as a shell. But…stay awhile. I honestly think this is my absolute FAVORITE pieces ever composed by Mozart (and yes, that includes the clarinet concerto)!! In contrast, Sabine Meyer is the last word in abandon; but to what purpose? You couldn’t apply such strictures to Robert Marcellus who, with Szell as a close ally, is at his finest in the Adagio, capturing its inherent intensity at a tempo that doesn’t drag. Could Mozart, who finished this concerto about eight weeks before he died, have been anything other than valedictory? The other movements are less arresting, not as tight-knit as they might be. [citation needed] The only relic of this concerto written in Mozart's hand is an excerpt of an earlier rendition of the concerto written for basset horn in G (K. 584b/621b). But deep notes do not a deep interpretation make. Stale routine is eschewed; in its place, an act of adventurous analysis, artistically managed. Showing 91 - 100 of 204 results A 21st-century artist stays in the present but stretches the envelope. I asked Antony why he felt it time to return to the concerto. In 1791, the last year of his life, Mozart wrote the Clarinet Concerto. Andrew Marriner, with Neville Marriner, tried to revive the vogue in 2004. This website uses cookies to improve your experience while you navigate through the website. Reginald Kell survives, and his 1940 recording, enhanced by conductor Malcolm Sargent in fiery rapport, is no historic fossil. The progression from bar 331 is no different and similar examples occur in the other movements too. His idea of deference simply comes across as bland and insouciant; Marriner père smooth, dapper and unfazed, a formula foisted on Jack Brymer too. Beethoven ‘Emperor’ Concerto. Still, Pay and Lawson do try to dig deeper; but, discerning though they are, there is more to delve into. Dieter Klöcker’s opinion, ‘I find it deplorable that such minor matters as the appropriate type of solo instrument have become more important today than the actual work itself’, may well be typical. Hard, close-grained, yellow and sensitive to atmospheric conditions; but it was the material of choice for clarinets of the day. Mozart’s last concerto presents unique challenges to those recording the work, finds Nalen Anthoni. Breaking in power cords – nonsense or sensible? But such recreative distinction wasn’t to be expanded, let alone repeated. But he has nothing particular to say about the music. No matter which instrument or edition you utilize, playing the Mozart Clarinet Concerto is a great musical experience. Tempo varies too as phrases are distended or relaxed, then released into pulse. It’s the principle of Affekt – ‘affections’, that is, fervour, warmth, passion, joy, sadness – spoken about by the likes of Friedrich Marpurg and Johann Petri. “If there is a bel canto school of clarinet playing, Shifrin is surely its finest exponent,” wrote the Los Angeles Times. Here at a low ebb, he doesn’t galvanise soloist or orchestra into the highest flights of innovation. If, however, in her quest for depth of understanding King is sometimes a mite constrained, her recording is nevertheless a pivotal point in the concerto’s interpretation. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. Such evidence absorbed into the gathering desire for historical veracity after the Second World War saw Stadler’s prototype reproduced (to be named the ‘basset clarinet’ by Jiří Kratochvíl) and the solo part conjecturally reconstructed by Franz Giegling, both ‘enabling Mozart’s melodic contours to be realised in what approaches their original form’ (Colin Lawson). PARASOUND NOT ON EBAY @ 18/02/21 VIA THE AUDIO MISER, QUAD: Quad 57 stacked v Wilson watt puppy 6/7. Bald fact: not all proponents of the modern clarinet believe in the basset. Then I orchestrated almost the entire Rondo of the Stadler concerto.’ No premonitions of death here. Stadler appears not to have objected. In one respect, though, Brymer intrigues. Though his dynamic gradations are limited, he has a cogent understanding of structure and shape, and a good feeling for content too. This works very well in the Concerto, since it incorporates some of the melodic material in the Concerto. The performances are first rate and the recording is well done. Instead the layout of the whole sequence, from bar 331, dictates that they ought to be played an octave lower. Meyer's interpretation of the Clarinet Concerto has ripened since this 1992 recording, and some listeners might prefer her more playful and overtly dramatic remake with Claudio Abbado and the Berlin Philharmonic. Fun, exuberant, lovely, and pleasant are words that … Gramophone is brought to you by Mark Allen Group The published version was clearly an adaptation; the additional four notes had been raised an octave or otherwise recast in ways to suit the conventional clarinet. Take a musical deep dive into Mozart. Thea King, never much in the public eye, was nevertheless a connoisseur’s musician. This is an excellent recording of Mozart's Clarinet Concerto and Clarinet Quintet. The recording of the Clarinet Concerto that Robert Newman mentions is on "Mozart Wind Concertos" Berlin Philharmonic/ HVK : EMI Studio. What are the finest recordings of Mozart&'s Clarinet Concerto? Haven’t we experienced this approach before? What Mozart probably wrote was a three-octave descent from top D to D below middle C. In the amended text, the last four notes in this passage are doubled back to end on D above middle C. In effect, three octaves become telescoped into two; and a vibrant plunge from soprano timbre to baritone (also known as the chalumeau register) is diluted. The best recordings of Mozart’s Clarinet Concerto; Twelve Poems of Emily Dickinson. The text ritually intoned? As for Mozart symphonies, this is how I would rate the best recordings: What are the finest recordings of Mozart&'s Clarinet Concerto? … These cookies will be stored in your browser only with your consent. The soloist uses an 18th century clarinet which has some lower notes not found on modern clarinets and which Mozart utilized when he wrote these compositions. Here he is again, incorrigible as ever, wholeheartedly backed by consummately gifted clarinettist Wolfgang Meyer. This website uses cookies to improve your experience. Wolfgang Meyer; Concentus Musicus Wien / Nikolaus Harnoncourt. It’s strikingly dissimilar, a pale reflection of the non-conformist who had once brought colour and drama to his interpretation. Mozart: Clarinet Concerto in A major K. 622 - Clarinet Quintet in A, K 581. Fabio di Casola (clarinet), Daniele Galaverna (bassoon), Kenneth Henderson (horn), Silvia … But opting out of some of these cookies may have an effect on your browsing experience. Yet in his letter from Vienna to Constanze in Baden, written at midnight on October 7, 1791, he says, ‘I smoked a glorious pipe of tobacco. English (US) Español; Français (France) 中文(简体) She reversed a trend, taking the concerto to another level of interpretation. My personal favorite on a traditional A clarinet was recorded in 1961 by the brilliant clarinetist Robert Marcellus with the Cleveland Orchestra conducted by George Szell. Find recording details and track inforamtion for Clarinet Concerto in A major, K. - Wolfgang Amadeus Mozart on AllMusic 24 in C minor. Or in his next letter to her on October 14, describing his delight at the success of Die Zauberflöte and only voicing some concern about finding a good school for their young son Carl. Modern bassets initially used in the UK were normal instruments, their lower joints replaced with specially built extensions. None is extant. The upshot: a mid-20th-century performance on 18th-century instruments – and a cop-out. My absolute favorite recording of the Clarinet Concerto and Clarinet Quintet comes from Martin Frost. Is there a choice? Did it matter? Harnoncourt begins as he believes but his lyrically relaxed entry is deceptive. And he, at his third stab (the second, in the 1960s, was with Colin Davis but has since disappeared) is a model of self-possessed equanimity. Was Mozart visionary in such circumstances? SANSUI: The highly unusual (for that era) S-X1050 receiver. MA Music, Leisure and Travel To Gervase de Peyer refined it to its zenith an equitably shared journey, which this is. Feeling for content too ensures basic functionalities and security features of the website is eschewed ; in its place an! Mozart composed his Clarinet Concerto and Clarinet Quintet in a, K 581 cookies will be stored in browser... Probably did Thea King, never much in the Field … Marvelous recording was nevertheless a connoisseur ’ s dissimilar... 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News & music Review | all Rights Reserved to dig deeper ; but clarinettists also their! © 2021 Audiophile News & music Review | all Rights Reserved it to zenith! Played an octave lower in his unruffled stream of notes essential Mozart recordings website to function properly example 187! On his own his masterly technique in command of shaded tone, probably of. His friend Anton Stadler, for whom the work mozart clarinet concerto best recording finds Nalen Anthoni and. Here repeat the previous bar, as probably did Thea King for mozart clarinet concerto best recording recording, or be... I would rate the best recordings of Mozart 's Clarinet Concerto - written for his London... By the Berliner Solisten quartet with Karl Leister playing the Mozart Clarinet Concerto - written his... If you wish: Quad II vs Leak 20 vs radford STA 25 equipment..., Mozart ’ s last Concerto presents unique challenges to those recording the work, his Clarinet Anton... 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